William Forrestall

 

 

William Forrestall, Box O, Box X, egg tempera

BOX O, BOX X (2011)
egg tempera on panel
32 x 34 in.
framed
$3,600

 

William Forrestall, Study for Box O, Box X, mixed media on paper

STUDY FOR BOX O, BOX X (2011)
mixed media on paper
12 x 18 in.
framed
SOLD

 


 

 

William Forrestall, Sheila and Natalie, egg tempera on panel, 20 x 58 in.

SHEILA AND NATALIE (2010)
egg tempera on panel
20 x 58 in.
framed
$4,200

 

William Forrestall, Study for Nine and One Lemon, egg tempera on paper

STUDY FOR NINE AND ONE LEMON (2009)
egg tempera on paper
20 x 38 in.
framed
$1,200


 

 

 

William Forrestall, Three Lilies and Shards in Green, egg tempera on panel, 24 x 44 in.

THREE LILIES AND SHARDS IN GREEN (2009)
egg tempera on panel
24 x 44 in.
framed
$3,600

 


William Forrestall, Study in Green, Coffee Maker

STUDY IN GREEN, COFFEE MAKER (2011)
mixed media on paper
14 x 18 in.
framed
SOLD

 

William Forrestall, Study for Blue Bricks

STUDY FOR BLUE BRICKS (2011)
egg tempera on paper
14 x 18 in.
framed
SOLD

 

 

William Forrestall, Three Flowers and the Offerings of Time

THREE FLOWERS AND THE OFFERINGS OF TIME (2002)
egg tempera on panel
22 x 44 in.
framed
$6,000

This image was used by Broken Jaw Press for the cover of the book titled "William Forrestall - Objects for Study"

\William Forrestall, Study for Still Life with Grave Offerings

STUDY FOR STILL LIFE WITH GRAVE OFFERINGS (2011)
egg tempera on paper
16 x 24 in.
framed
$800

 


 

 

William Forrestall, Study for Three That are Broken

STUDY FOR THREE THAT ARE BROKEN (2009)
egg tempera on paper
24 x 40 in.
framed
$1,200

 

William Forrestall, Two Yellow Roses and Grave Offerings. egg tempera

TWO YELLOW ROSES AND GRAVE OFFERINGS (2007-2008)
egg tempera on panel
23 x 32 in.
framed
$2,900

 

William Forrestall, Diptych of our Friends, Our Family, egg tempera

DIPTYCH OF OUR FRIENDS, OUR FAMILY (2008)
egg tempera on two 16 x 16 in. panels
21 x 39 in. total size
framed as shown
$2,600

 

William Forrestall, Whispers in Time, Flowers in Blue, egg tempera, 23 x 41 in.

WHISPERS IN TIME, FLOWERS IN BLUE (2008)
egg tempera on panel
23 x 41 in.
framed
$4,200


William Forrestall, For George and Chris, intaglio etching

FOR GEORGE AND CHRIS
intaglio etching
6 x 7.75 in.
framed dimension: 17 x 21 in.
$200

 

William Forrestall, For Tom and Ester

FOR TOM AND ESTER
intaglio etching
6 x 7.75 in.
framed dimension: 17 x 21 in.
$200

 

 

William Forrestall was born in Middleton, Nova Scotia in 1959. He attended Mount Allison University and graduated with a Bachelor of Fine Arts degree. Following immediate success in group shows, William dedicated himself to art professionally. He had his first solo exhibition at Gallery 78 in 1987 and has had many shows since in Fredericton, all over New Brunswick, in Halifax, in Saskatchewan and in Los Angeles, California .

William has been the recipient of many grants and in 1994 he was awarded the Brucebo scholarship to study and tour through European art Galleries. Among other important influences in his current work are the Egyptian artifacts and remnants in the Ashmolean museum in Oxford where William spent a summer.

William Forrestall was lucky in finding his specific artistic direction and interest early. The paintings that established his reputation and that have continued to impress his collectors are all characterised by unique vision. He has an ascetic aesthetic in which he strives to create, in his words, “the illusion of a new reality”. This artist's subject is time and the passage of time into history and the preserving of moments. In order to presents this he paints the shapes and textures of objects that interest him in that most basic of compositions: the still life; he juxtaposes objects with varying levels of permanence creating dialogue from the inanimate. William Forrestall presents symmetry and asymmetry as a mechanism of tension in his paintings. He uses tempera because the technique involves subtlety and patient progress: these requirements emphasize the abstract peace of the subject matters. The quantum passage of time is key to William's work. His paintings make the stillness and quiet of his studio available to the viewer eternally.