Lee Horus Clark and Yolande Clark

Effigy - 100 figures and the buddha

 

Lee Horus Clark, Soon

LEE HORUS CLARK

SOON... (#7)
porcelain
10 day anagama fired using pine and tamarack
natural ash glaze
17 in. tall x 3.5 in. at widest
SOLD

 

 

Lee Horus Clark, Whoa

LEE HORUS CLARK

WHOA! (#8)
stoneware
10 day anagama fired using pine and tamarack
natural ash glaze
11 in. tall x 3.5 in. at widest
SOLD

 

 

Lee Horus Clark, Untitled

LEE HORUS CLARK

UNTITLED (#5)
porcelain
10 day anagama fired using pine and tamarack
natural ash glaze
12 in. tall x 4.5 in. at widest
$360

Yolande Clark, Sorrow Journey

YOLANDE CLARK

SORROW JOURNEY (#97)
porcelain
10 day anagama fired using pine and tamarack
shino and natural ash glaze
7.5 in. tall x 5 in. at widest
SOLD

 

 

Yolande Clark, Birthing

YOLANDE CLARK

BIRTHING (#56)
porcelain
10 day anagama fired using pine and tamarack
shino and natural ash glaze
7 in. tall x 5 in. at widest
$210

 

 

Yolande Clark, Embrace

YOLANDE CLARK

EMBRACE (#99)
porcelain
10 day anagama fired using pine and tamarack
shino and natural ash glaze
8 in. tall x 5 in. at widest
SOLD

 

Lee Horus Clark, Untitled

LEE HORUS CLARK

UNTITLED (#11)
porcelain
10 day anagama fired using pine and tamarack
natural ash glaze
13 in. tall x 3.5 in. at widest
SOLD

 

 

Lee, Nikki and Sophie

LEE HORUS CLARK with NIKKI and SOPHIE THERIAULT admiring YOLANDE's pieces

 

 

Lee Horus Clark, Lost in the Heat of the Moment

LEE HORUS CLARK

LOST IN THE HEAT OF THE MOMENT (#10)
porcelain
10 day anagama fired using pine and tamarack
natural ash glaze from the firebox
7.75 in. tall x 6.5 in. at widest
SOLD

 

Yolande Clark, Doing her hair

YOLANDE CLARK

DOING HER HAIR (#54)
porcelain
10 day anagama fired using pine and tamarack
shino and natural ash glaze
9.5 in. tall x 6 in. at widest
$220

 

 

Lee Horus Clark, Local Girl Survives Fire

LEE HORUS CLARK

LOCAL GIRL SURVIVES FIRE (#32)
Carleton County stoneware
10 day anagama fired using pine and tamarack
natural ash glaze
10 in. tall x 3 in. at widest
SOLD

 

 

Lee Horus Clark, I'm Ready, Take what you need

LEE HORUS CLARK

I'M READY, TAKE WHAT YOU NEED (#13)
stoneware
10 day anagama fired using pine and tamarack
natural ash glaze
12.5 in. tall x 4 in. at widest
SOLD

 

 

Yolande Clark, Chagrin

YOLANDE CLARK

BATMAN BUDDHA (#95)
porcelain
10 day anagama fired using pine and tamarack
shino and natural ash glaze
8 in. tall x 9 in. at widest
SOLD



Lee Horus Clark, Local Boy Survives Fire

LEE HORUS CLARK

LOCAL BOY SURVIVES FIRE (#18)
Carleton county stoneware
10 day anagama fired using pine and tamarack
natural ash glaze
10.75 in. tall x 3 in. at widest
SOLD

 

 

Lee Horus Clark - I can't hear you

LEE HORUS CLARK

I CAN'T HEAR YOU (#17)
stoneware
10 day anagama fired using pine and tamarack
natural ash glaze
10.5 in. tall x 3 in. at widest
SOLD

 

 

Lee Horus Clark, Untitled

LEE HORUS CLARK

UNTITLED (#19)
stoneware
10 day anagama fired using pine and tamarack
natural ash glaze
12 in. tall x 2.5 in. at widest
$240

Yolande Clark, The Palace of Extinction

YOLANDE CLARK

THE PALACE OF EXTINCTION (#61)
porcelain
10 day anagama fired using pine and tamarack
shino and natural ash glaze
7 in. tall x 3.5 in. at widest
SOLD

 

 

Yolande Clark, My heart is in the wrong place

YOLANDE CLARK

MY HEART IS IN THE WRONG PLACE (#75)
porcelain
10 day anagama fired using pine and tamarack
natural ash glaze
7.5 in. tall x 7.5 in. at widest
$230

 

Yolande Clark, Perch on the Riverside

YOLANDE CLARK

PERCH ON THE RIVERSIDE (#59)
porcelain
10 day anagama fired using pine and tamarack
shino and natural ash glaze
6 in. tall x 5 in. at widest
SOLD

 

Yolande Clark, Kneeling on the Frozen Ground

YOLANDE CLARK

KNEELING ON THE FROZEN GROUND (#68)
porcelain
10 day anagama fired using pine and tamarack
shino and natural ash glaze
6.5 in. tall x 4 in. at widest
SOLD

 

 

Yolande Clark, One Thing is True

YOLANDE CLARK

ONE THING IS TRUE (#94)
porcelain
10 day anagama fired using pine and tamarack
shino and natural ash glaze
6 in. tall x 5 in. at widest
$250

 

Yolande Clark, Dancer

YOLANDE CLARK

DANCER (#69)
porcelain
10 day anagama fired using pine and tamarack
shino and natural ash glaze
8 in. tall x 4 in. at widest
SOLD

 

 

Lee Horus Clark, ensemble

A sense of the sizes....

 


Yolande Clark, You Are

YOLANDE CLARK

YOU ARE (#71)
porcelain
10 day anagama fired using pine and tamarack
shino and natural ash glaze
10 in. tall x 5 in. at widest
SOLD

 

 

Yolande Clark, Sad Jewel

YOLANDE CLARK

SAD JEWEL (#57)
porcelain
10 day anagama fired using pine and tamarack
shino and natural ash glaze
6.5 in. tall x 5 in. at widest
$180

 

Yolande Clark, Nourish

YOLANDE CLARK

NOURISH (#73)
porcelain
10 day anagama fired using pine and tamarack
shino and natural ash glaze
7 in. tall x 5.5 in. at widest
SOLD

 

Yolande Clark, G.I. Buddha

YOLANDE CLARK

G.I. BUDDHA (#78)
porcelain
10 day anagama fired using pine and tamarack
shino and natural ash glaze
6.5 in. tall x 6.5 in. at widest
SOLD

 

 

 

Yolande Clark, I need you

YOLANDE CLARK

I NEED YOU (#87)
porcelain
10 day anagama fired using pine and tamarack
shino and natural ash glaze
7.5 in. tall x 5.5 in. at widest
SOLD

 

 

Yolande Clark, Vanilla Ice

YOLANDE CLARK

VANILLA ICE (#88)
porcelain
10 day anagama fired using pine and tamarack
shino and natural ash glaze
5.5 in. tall x 5 in. at widest
SOLD

Two year old Horus helping with the wood

Lee and Yolande's almost 2 year old Horus helping

 

 

Effigy exhibition - a figure pre-firing

"Dancer" Pre-firing

 

The figures are visible in the firing

What an amazing view!

 

Yolande Clark, Awash

YOLANDE CLARK

CARBON CLOAK (#80)
porcelain
10 day anagama fired using pine and tamarack
shino and natural ash glaze
7.5 in. tall x 5 in. at widest
$180

 

 

Yolande Clark, Lotus Woman in Prayer

YOLANDE CLARK

LOTUS WOMAN IN PRAYER(#81)
porcelain
10 day anagama fired using pine and tamarack
shino and natural ash glaze
8 in. tall x 5.5 in. at widest
SOLD

 

 

Yolande Clark, The king in a soft cloak

YOLANDE CLARK

THE KING IN A SOFT CLOAK (#82)
porcelain
10 day anagama fired using pine and tamarack
shino and natural ash glaze
8 in. tall x 5 in. at widest
$220

 


Lee Horus Clark, Aphrodite

LEE HORUS CLARK

APHRODITE (#35)
porcelain
10 day anagama fired using pine and tamarack
natural ash glaze
9 in. tall x 3 in. at widest
SOLD

 

 

 

Lee Horus Clark, I've Lost My Mind

LEE HORUS CLARK

I'VE LOST MY MIND (#43)
stoneware
10 day anagama fired using pine and tamarack
natural ash glaze
12 in. tall x 4 in. at widest
SOLD

 

 

Lee Horus Clark, Second Trimester

LEE HORUS CLARK

SECOND TRIMESTER (#38)
porcelain
10 day anagama fired using pine and tamarack
natural ash glaze
9.5 in. tall x 3.5 in. at widest
SOLD

 

Yolande Clark, Perfect Wisdom and the Vow

YOLANDE CLARK

PERFECT WISDOM AND THE VOW (#89)
porcelain
10 day anagama fired using pine and tamarack
shino and natural ash glaze
6.5 in. tall x 6.5 in. at widest
SOLD

 

 

Yolande Clark, White Witch

YOLANDE CLARK

WHITE WITCH (#90)
porcelain
10 day anagama fired using pine and tamarack
shino and natural ash glaze
9.5 in. tall x 8.5 in. at widest
SOLD

 

 

Yolande Clark, Cracked

YOLANDE CLARK

CRACKED (#101)
porcelain
10 day anagama fired using pine and tamarack
shino and natural ash glaze
9 in. tall x 6 in. at widest
SOLD

 

 

Lee stoking the fire at night

Lee stoking the fire in the middle of the night

 

Yolande

An 8.5 month pregnant Yolande tending the kiln

 

 

 

Click below to read Kate Wallace's article "Extreme Potters" featuring Lee and Yolande, from the March 20, 2010 issue of the Telegraph Journal "Salon"

Extreme Potters

Statement:

Ten cords of sustainably harvested semi-tree length Tamarack and Pine logs are delivered by Grampy Clark in the early cool of spring.  Soon, we find ourselves on long summer days under sweat-hot sun, cutting, splitting and piling fragrant wood, again again and joyfully again.  During warm nights and early mornings in our tiny studio, figures take shape under our hands, a gathering of bodies, personaes from our past and future lives, the universal me and you of improvised dreams, dark and light.  In a haze of making, the clay tells us who it wants to be; butter-soft white porcelain, blood-iron clay we dug ourselves when Horus was tiny from a nearby stream, and hardy stoneware for the firebox onslaught.  Friends arrive at the woodpile to truck each load down to our 27-foot long Little River Anagama kiln, mediaeval, disastrous and magical as always after winter storms, its indelible structure built into the ridge below the emerald gulch where the forest opens up on the banks of the Big Presque Isle River.  We clean and sweep up clumps of fur that line the cold brick floor, claw and bone, evidence the kiln was home to small animals before the thaw.  

Little Horus piles wood with the best of them, while Lee packs the kiln over several days. Each piece Yolande passes to him is placed on shells and shelves with careful consideration.  Some figures enter as bare clay, and some are glazed with shino--a simple feldspar glaze, whose mystical ability to shift and shimmer, always enigmatic and infinitely responsive to heat and ash, has captured artists since its development in 16th century Japan. 

We brick the door and light the fire at night, with a simple ceremony.  The pre-heat blaze of logs and scrap continues for 24 hours, then slowly the fire is introduced into the mouth of the kiln, and stoking begins in earnest.  Every 5 minutes, the leather-clad stoker faces the scorching flame, learning from fire-master Lee how to feed the beast with fearless elegance and a flick of the wrist.  Yo is pro, and stokes on the first day, but Horus’ baby sibling will arrive soon, and this flaming dragon is too hot for full-bellied mamas.  RedBeard, friend, novice potter, and bodhisattva with wild hair, stokes with Lee, disregarding hunger, fear, exhaustion, burning flesh and imminent madness.  Friends and family relieve the pressure when everyone is on the brink.  Hours and days blur into the rhythm of the stoke.  The end arrives, and the dragon breathes white fire. 

During six days of cooling time, the kiln sits with its quiet secret.  Then, three days before our show that opens Friday the 13th, 2010, at Gallery 78, we crack the door, and topple bricks to find our treasure.  The strange mystery therein is of us, and of the world, but otherworldly too.  We greet our congregation with reverence, some fear, and ultimately the gentleness required of any kind of bearing witness; right effort and compassion for ourselves and all others, too.  To love is to be happy with, and these subtle, lovely, earthy, watery, dewy beauties are all.  Devotion is the way.  Thanks to all the buddhas, bodhisattvas, and wonderful people in our lives.

Yolande and Lee Clark

You can learn more about Yolande and Lee by following their blog, please click below:

Lee and Yolande Clark's blog