The Gallery Artists Exhibitions Collectors

David McKay, RCA

Artist's CV

David McKay, Noisy Crows

9 x 21 in.
framed dimension: 15.5 x 27.75 in.

David McKay, RCA, Pretty Sky

10 x 14 in.
framed dimension: 17 x 21 in.


David McKay, Old Farm, watercolour, 7 x 14 in.

OLD FARM, 2013
7 x 14 in.
framed dimension: 14 x 21 in.


David McKay, Quiet Fields, watercolour, 14 x 13 in.

14 x 13 in.
framed dimension: 19 x 18.25 in.


David McKay, Looking through the pine trees, watercolour, 14 x 10 in.

14 x 10 in.
framed dimension: 20 x 16 in.



David McKay, RCA, Light Coming Through the Fog, egg tempera, 20 x 30 in.

egg tempera
20 x 30 in.
framed dimension: 25 x 35 in.


David McKay, Out in the Field, egg tempera, 6 x 13.25 in.

egg tempera
6 x 13.25 in.
framed dimension: 8.5 x 15.75 in.


David McKay, Morning After the Thaw, 2014, egg tempera, 14 x 20 in.

egg tempera on panel
14 x 20 in.
framed dimension: 17.5 x 23.5 in.


David McKay, Overflowed, egg tempera, 18 x 24 in.

egg tempera
18 x 24 in.
framed dimension: 22 x 28 in.


David McKay, Rising Water, egg tempera, 11 x 20 in.

egg tempera
11 x 20 in.
framed dimension: 19 x 28 in.

David McKay, Rose Coloured Fog, watercolour, 12.25 x 14 in.

12.25 x 14 in.
framed dimension: 18.25 x 20 in.
SOLD - $900



David McKay, Coastline and Fog, watercolour, 10 x 14 in., 2014

10 x 14 in.
framed dimension: 17 x 21 in.



David McKay, Spring Crows, watercolour, 10 x 14 in.

10 x 14 in.
framed dimension: 17 x 21 in.

David McKay, Evening Lights, egg tempera on panel, 9.5 x 14 in.

egg tempera on panel
9.5 x 14 in.
framed dimension: 14.75 x 19.25 in.
SOLD - $2,200


David McKay, Barns and Rock Wall, egg tempera, 9.75 x 10.75 in.

egg tempera on panel
9.75 x 10.75 in.
framed dimension: 15.25 x 16.25 in.



David McKay, RCA, October Morning Mist (From Home), watercolour, 21 x 27 in.

21 x 29 in.
framed dimension: 28 x 36 in.
SOLD - $3,000

please click on images for larger views...

David McKay, After Winter, watercolour, 14 x 21 in.

14 x 21 in.
framed dimension: 21 x 28 in.
SOLD - $1,500



David McKay,RCA, Closing In, watercolour, 21.5 x 29.25 in.

21.25 x 29.25 in.
framed dimension: 29 x 37 in.


David McKay, Bright Afternoon, watercolour, 10 x 14 in.

10 x 14 in.
framed dimension: 17 x 21 in.





David McKay, RCA, Brothers, watercolour, 26 x 34.75 in.

26 x 34.75 in.
framed dimension: 32.75 x 41 in.
SOLD - $4,000



Nikki Thériault speaks with David McKay as he prepares for his exhibition "Near the River"


David McKay, The Old Buildings at Morning, egg tempera, 6 x 13 in.

egg tempera
6 x 13 in.
framed dimension: 9.25 x 16.25 in.
SOLD - $1,800



Why I paint in Egg Tempera

Egg tempera is the most beautiful and sensitive painting medium that I have ever used. The paint is a simple mixture of fine artist pigments, egg yolk and distilled water. It can be used in extremely thin layers giving it wonderful glazing capabilities. The white gessoed panel, underneath the paint film, reflects light back through the painting giving it a beautiful glowing effect.

Egg tempera is one of the oldest painting media known to mankind, dating back to antiquity. Tempera painting was surpassed in popularity by the newly invented oil paint in the fourteenth century, which was more convenient for artists to work with. However, during the twentieth century, egg tempera painting saw a revival, particularly with realist painters who enjoyed its natural earthy quality and its ability to render fine detail.

The medium is best painted on rigid panels that are first primed with numerous layers of traditional gesso. The dried gesso resembles plaster but is harder and can be smoothed to a degree similar to that of polished marble! It is this smooth surface that allows the artist to paint extremely thin layers of paint and delicate fine lines. The paint film dries in minutes but continues to cure and harden for years after the artist finishes the artwork. The surface of an egg tempera painting displays a slight natural sheen and the many layers of paint and the thousands (perhaps millions) of tiny brush strokes combine to give an egg tempera painting its distinctive finish.

Given minimal care, egg tempera is more permanent than other painting media. There are examples of tempera paintings many hundreds of years old in museums and art galleries. An occasional gentle dusting or polishing with a dry soft cloth is usually all the maintenance that is required.

David McKay



David McKay, The Island in April, egg tempera, 10 x 14 in.

egg tempera
10 x 14 in.
framed dimension: 13.25 x 17.25 in.
SOLD - $2,200


When I think of my artwork, I think of my home province of New Brunswick, my years as a child growing up here and its beautifully humble landscape and buildings.  That is what has inspired my art for over forty years and continues to do so.

However, the word beautiful can be misleading.  It is not only the brightly coloured leaves of autumn along the Nashwaak Valley or the brilliant sunsets over the Saint John River that I find beautiful.  These things are beautiful but, from an artistic point of view, are also dangerously close to being merely decorative.  The beauty that I seek, and find inspiring for my work, are the images that have an emotional impact grown from my life’s experiences associated with them.  Those first small flecks of snow falling against a dark grey November landscape for instance, or a warm breeze late on an August night ... things that make me stop and wonder ... and remember.

I use two traditional media for my painting; watercolour on paper and egg tempera on panel.  Working in watercolour gives me the freedom to be both loose and controlled at will and within the same painting.  I love the experimental nature of the medium.  The egg tempera medium is more controlling than watercolour and has a narrower range for manipulation.  I am drawn to the earthiness of this medium and at times, there seems to be a physical affinity between the subject matter and the actual paint that I am applying.  The paint mixture is very thin and the thousands, maybe millions, of tiny translucent brush strokes give an egg tempera painting its unique appearance.  Although I am considered a realistic painter, it is not necessarily my intention to be realistically accurate in my renderings.  My approach to painting seems to come from a combination of memory and imagination.  It is always the emotional relationship that I have with my subject, rather than the factual depiction of its details, that I try to convey.

Craftsmanship is very important to me.  I have made an extensive study of various pigments and other materials used in my art making, particularly my egg tempera painting.  I am disciplined and dedicated.  I try to work all day, five days a week at my studio and reserve the evenings and weekends for the business development of my profession.

At sixty-seven years of age, my dream for the future remains as it was as a young man, to be fortunate enough to spend my full time creating and promoting what I love about New Brunswick.

David McKay, 2013



David McKay, Sharon Tracy and granddaughter Olivia

David is joined by his partner Sharon Tracy and granddaughter Olivia at the opening of "Near the River"

David McKay, RCA, Mist in the Fields, watercolour, 26 x 44 in.

26 x 44 in.
framed dimension: 36 x 53.5 in.
SOLD - $5,400

To read Karen Ruet's article about David McKay's appointment to the board of directors of the Canada Council for the Arts,

please click here


David McKay in his studio. Photo by Hisashi Urashima

photo by: Hisashi Urashima

David McKay has been painting on a full-time basis in Fredericton, New Brunswick for over forty years.  He graduated from Fredericton High School and the Saint John Institute of Technology and is self-taught as an artist.

Early in his career, McKay established himself by exhibiting in regional art galleries and as early as 1976 began showing in Montreal and Toronto.  Also in 1976, he was included in an internationally touring exhibition titled Atlantic Coast that was organized by the National Gallery of Canada.

Throughout the seventies and eighties the artist worked diligently honing his skills and continued showing throughout Canada (Hollander York Gallery in Toronto, The Shayne Gallery in Montreal, The Gallery in St. John’s Newfoundland, Ferntree Gallery in Calgary, The Ring Gallery in Saint John, Gallery One in Moncton and Gallery 78 in Fredericton).

David has been featured nationally on both radio and television (Anthology on CBC radio, 1987,  Spirited Artists on Bravo TV, 2003, Studio Tour on Bell Aliant Community Channel, 2013).  He has been the subject of dozens of interviews for the press and for television and radio.

McKay’s artwork was selected for inclusion in The N.B. Juried Exhibition (1985), The N.B. Art Competition (1987), and received an honourable mention in The Marion McCain Juried Exhibition (1989) at the Beaverbrook Art Gallery. David McKay’s work was shown at The Toronto International Art Fair in 2007 and The Boston International Fine Art Show in 2008. In 2010 the artist participated in the exhibition Wolastoq (Beautiful River): The Saint John River Project at The Beaverbrook Art Gallery and Portraits-New Brunswick Artists at the New Brunswick Museum in 2009.

David McKay’s artwork is in numerous private collections and is in the following public collections:   The Beaverbrook Art Gallery, His Royal Highness Prince Andrew, Mount Allison University, l'Université de Moncton, Irving Oil Limited, the New Brunswick Art Bank, the Confederation Centre Art Gallery, Charlottetown, the University of New Brunswick, the New Brunswick Museum, Esso Resource Center, McCain Foods (Canada) and the City of Fredericton.

David McKay is presently serving a four-year term on the board of directors of The Canada Council for the Arts.  He was elected to the Royal Academy of Arts (RCA) in 2006.