Ann Manuel
RADISHES II, 2010
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RADISHES I, 2009
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BEST BEFORE, 2010
SPRING FORM IV (LOPPER)
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SPRING FORM V (FORK), 2010
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SPRING FORM II (RAKE) |
COASTAL MAP I, 2010
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COASTAL MAP II, 2010 |
COASTAL MAP III, 2010 |
COASTAL MAP IV, 2010 |
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COASTAL MAP V, 2010 |
COASTAL MAP VI, 2010 |
WALTZ OF THE FLOWERS IV
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WALTZ OF THE FLOWERS V |
WALTZ OF THE FLOWERS VI
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WALTZ OF THE FLOWERS II |
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WALTZ OF THE FLOWERS III
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WALTZ OF THE FLOWERS I |
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AFTER THE SHOW, 2010
FALLING
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PEONIES (two details |
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STEPHEN AND BAILEY, 2010
INLAND
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THE PATH
THROUGH THE TREES I |
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ALONG THE TRAIL II
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A CLOSER LOOK |
A TURNED HEAD (MAPPING CONVERSATIONS)
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AND THEN HE WAS GONE |
THE BREADTH OF YOUR SHOULDERS |
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RADICAL EDGE
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The artist gratefully acknowledges the support of
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HEAD ABOVE WATER (STUDY)
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STILL |
A LITTLE HELP
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BREATHE |
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GETTING READY II
THE STORY PART 3
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Originally from Newfoundland, Ann was mentored at an early age by artists Don Wright and Heidi Oberheide. She went on to receive her Bachelor of Fine Arts from Mount Allison University in New Brunswick, followed by graduate degrees from Queen's University and the University of British Columbia. Ann began exhibiting her work in 1973 and has had solo and group exhibitions across Canada , as well as in Scotland , France and Thailand. She has worked in printmaking studios such as the Edinburgh Print Makers Society, Scotland, Chulalongkorn University in Bangkok (where she was an award winner in the Bangkok Printmaking Show), Malaspina Printmaking Studio in Vancouver, University of North Carolina at Chapel Hill, and Sunbury Shores in St Andrews, N.B. Ann brings the diversity of painting, drawing and printmaking mediums and her artistic vision to the widest possible range of art making – from the raw mark making using pastels, oil on canvas and ink on mylar applied with roller to room length paintings on tarpaulin, paper notes folded into installations and the abandoned material of a French vineyard woven into monumental sculpture. Ann has received awards and competitive grants for photography, painting and printmaking. She has been the subject of numerous newspaper articles and reviews and her work is represented in public and private collections around the world. Since 2002, Ann has completed four creative residencies, two of which were six months in duration in southern France. Most recently she has attended Prairie North residencies in Alberta, (guest facilitators Rita McKeough, David Hoffos, Harold Klunder, and Laura Vickerson), where she began this body of work along the themes of Map Making and Physical Geographies. Ann has upcoming solo shows both in New Brunswick and Alberta and is presently part of two touring group exhibitions in Alberta. |
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