Artist's CV

 

WOMAN WITH A HAIRDO acrylic on canvas 36 x 36 in. unframed $2,400

YOUNG WOMAN WALKING acrylic on canvas 24 x 24 in. unframed $1,200

PINK BUSY WOMAN acrylic and spray paint on canvas 24 x 20 in. unframed $1,000

ARTIST STATEMENT: Feminine silhouettes figure prominently in my current work, examining the idea of a “woman being”, a female figure rushing to keep up to the unrealistic expectations placed on her in today’s society. The paintings document a contemporary woman’s attempt to come to terms with typical female roles, and her constant renegotiation of relationships and other elements in her surroundings. Informed by fashion magazines, the repetition of the female icon offers a playful perspective on the idea of a modern “superwoman”, as well as the ridiculousness of unattainable perfection. Alexandrya Eaton, 2010 DANCING AT SUNSET acrylic on canvas 48 x 24 in. unframed $1,800

MEN IN THE RED acrylic on paper 30 x 22 in. framed $1,600

GIRL IN YELLOW TULIPS acrylic on paper 30 x 22 in. framed $1,600

The artist gratefully acknowledges the support of

 

RED TULIPS WITH IRIS
acrylic on canvas
48 x 48 in.
unframed
SOLD

 

ORANGE POPPIES acrylic on canvas 14 x 14 in. unframed $850

YELLOW BOUQUET acrylic on canvas 30 x 30 in. unframed $1,600

JANUARY'S CYCLAMEN
acrylic on canvas
36 x 36 in.
unframed
$2,400

 

DARK RED TULIPS
acrylic on canvas
36 x 48 in.
unframed
$2,500

 

PINK BOUQUET acrylic on canvas 60 x 40 in. unframed $3,000   SELF PORTRAIT acrylic on canvas 40 x 30 in. framed framed dimension: 42 x 32 in. $1,800 "Summertime" exhibition

Alexandrya Eaton, a painter, was born in 1969, in Moncton, New Brunswick. In 1991, she graduated with a Bachelor of Fine Art, from Mount Allison University, in Sackville, New Brunswick. Determined to paint full time, she returned to Moncton to set up studio in the Centre Culturel Aberdeen, where she worked alongside prominent Acadian artists Yvon Gallant, Nancy Morin and the late Guy Duguay. Heavily influenced by this tightly knit artistic community, Eaton realized the significance of staying in New Brunswick to pursue her career.

In 1992, Eaton was selected to participate in the “Symposium de la Jeune Peinture au Canada”, in Baie-Saint-Paul, Quebec. The youngest of fifteen international artists, her large twentyfoot painting then traveled to the Museum of the Americas, in Washington, D.C., for the exhibition, Terre-Terre, later that same year. In 1995, Eaton was invited to take part in Acacia Gallery’s three-month artist-in-residence program, in Gagetown, New Brunswick, which resulted in a solo exhibition. And in 1996, she traveled to Newfoundland, on the invitation of the Pouch Cove Visiting Artist Residency Program, for a one-month residency and a solo exhibition. Throughout her career, Alexandrya has had more than twenty-five solo exhibitions of her work. Her paintings hang in numerous collections, both private and public, across Canada, the United States, Europe, Bermuda and Jamaica. She has received many project grants to continue the development of her work. In 2000, she accepted the invitation to take part in the studio residency program at the Beaverbrook Art Gallery, in Fredericton, which coincided with the Atlantic Art Exhibition, Artists in a Floating World, curated by Tom Smart. Eaton’s paintings have been included in several important group exhibitions, such as: Anecdotes and Enigmas, curated by Hermenegilde Chiasson, in 1996, which traveled across Canada; and BLISS, curated by Shauna McCabe. In 2002, at the Confederation Centre of the Arts in Charlottetown, Prince Edward Island, BLISS combined the work of four international artists exploring the image and idea of flowers and flowering, and its relationship to the poetic, questioning modern perceptions of beauty. Alexandrya Eaton’s work has been purchased by: the New Brunswick Art Bank; RBC Dominion Securities; Aliant Telecom; Nesbitt Burns; NB Power; Purdy’s Wharf Inc.; the UNB Art Centre; Toronto Dominion Bank; and the Masterworks Foundation in Bermuda, among many other public and corporate collections.

Eaton continues to work in a very physical way, painting quickly and on the floor. Her recent inclusion of such tools as rollers, tape and handmade stencils facilitate her fascination with the repetition of images. Currently Eaton’s work is focused on a “woman being”, offering a playful perspective on the attempt to come to terms with typical female roles. Alexandrya gratefully acknowledges the support of artsnb by way of a project grant in 2009 to further develop her work. Eaton believes that as an artist it is her responsibility to give back to her community. Over the years, she has donated many paintings, in particular to hospitals, cancer care centers and children’s charities. Alexandrya lives in Fredericton with her husband and two young daughters.